Manipulating viewpoints in In This Corner of the Worldįeminisation of belonging: escaping the nostalgia of furusato Gate: Thus the Japan Self-Defense Forces Fought ThereĬhapter 8: The political representation of Hiroshima in the graphic art of Kōno Fumiyo The self-defence forces and popular cultureĪozakura: the story of the National Defense Academy Sexual objects and ‘changing fate’: anime and manga adaptationsĬhapter 7: Towards an unrestrained military: manga narratives of the self-defenceforces Gameplay and ideology in Kantai Collection Pan-Pan Girls sneering at the Article 9 revisionĬhapter 5: NEETs versus nuns: visualizing the moral panic of Japanese conservativesĬhristianity and the historical politics of alterityĬhapter 6: The body political: women and war in Kantai Collection Pan-Pan Girls advocating anti-Anpo and anti-Vietnam views Pan-Pan Girls contesting the “workshop of democracy” Kobayashi’s prescription: gōmanism (aka: arrogant-ism)Ĭonclusion: Kobayashi’s fugue state and Shinmin no michi (the path of the subject)Ĭhapter 4: Sexual politics in manga: Pan-Pan Girls confronting the US occupation, Vietnam War and Japan’s Article 9 revision The just war’s unjust peace and resulting societal breakdown Purity, righteousness, and beauty in Kobayashi’s-and Japan’s-just war Japan’s own cartoon affair: Toshiko Hasumi and the Syrian refugee affairĬhapter 2: Re-envisioning the Dark Valley and the decline of the peace stateįan discussions on the intersection of pop culture and politicsįantasy Februaries and the narrative allure of conspiracy and coups d’étatĬhapter 3: Kobayashi Yoshinori’s just war and unjust peace: Sensō ron, arrogant-ismand selective memory Prolegomenon: are manga political? From the political cartoons to the politics of graphic artĪ brief history of politics in Japanese mangaįrom local to global cartoon controversies: a brief dialectic Manga and politics – the visual literacy of statecraft Chapter 1: Introduction: the political potential of manga
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